Pavilion Green Rope Moulding Ceramic Wall Tile 152x40mm

Yes. Artworks is specified for both wet and dry wall areas, so Pavilion Green is at home in a shower enclosure, a wet room or around a bath. The background must be sound, dry and properly tanked, with a flexible waterproof adhesive and grout throughout the wet zone. A saturated green is at its most dramatic wet — under running water the glaze deepens towards bottle green and the wall reads several shades darker than it does dry.

No. Artworks is a wall tile range only. The glaze is not rated for foot traffic and would scratch and dull quickly underfoot, and a gloss surface of this kind is slippery when wet. A strong green wall wants a floor that holds its own without competing — a black and white geometric, a plain black, or a warm terracotta quarry all work well beneath it. Call 01344 620211 and we will suggest something.

There is slight variation between production batches. On a saturated colour this shows differently from a pale one: rather than a visible half-shade shift, you may see a subtle difference in depth between one batch and another, which reads as patchiness across a large expanse. Order the whole quantity for a room at once, including your wastage allowance, and mix tiles from several boxes as you set out. If you are adding to existing tiling, send us a photograph and we will give you an honest view.

White flexible adhesive. For grout, go deeper than instinct suggests: a mid grey or a soft green-grey, closer in depth to the tile than to the joint you might choose on a pale colour. Two to avoid. Brilliant white is the classic mistake on a strong green — the contrast is severe, it draws a hard grid over the wall and pushes the whole thing towards a sports hall or a swimming baths. And a cream or ivory grout turns yellow against this green and simply looks dirty. Close in tone, cool rather than warm.

Pavilion Green is usually held in stock across the range, field and half tiles and the full set of mouldings alike. We will confirm availability and a delivery date for your exact quantity when you order, and UK delivery is free on orders over £1,000. If a piece is temporarily out we will tell you the lead time before you commit rather than after. Call 01344 620211 or visit us at 67 High Street, Ascot.

There are three, and only one of them is a strong colour. Pavilion Green is the saturated one — a confident mid green with real depth, the colour of painted outdoor joinery rather than a tint. Palm Green is a soft warm leaf green and Jade Breeze a pale cool sage; both are gentle enough to tile a whole room in, where Pavilion Green is a colour you make a decision about. If you want green as a background, choose one of the other two. If you want green to be the point of the room, this is the one. Order samples of all three and see them together.

Yes. Cut samples are free to collect from our Ascot showroom, or we can post one to you for the cost of postage. Seeing the glaze in your own light is the surest way to judge how it will sit against your paint, stone and metalwork.

As a guide, add around 10% to your measured area for cuts and breakages, and nearer 15% for a herringbone, diagonal or brick-bond layout. It is also worth keeping a few spare tiles from the same batch in case a repair is ever needed.

Fifteen pieces: the 152 x 152mm field tile, the 152 x 76mm half tile, a skirting tile, a plain cornice, an external corner trim, and ten mouldings — Victoria, Egg & Dart, Dentil, Hogarth, Albert, Rope, Astragal, Scroll, Sigma and Omega. Pavilion Green does not include a large brick tile, bevelled metro tiles, relief-moulded decorative tiles, handed corner pieces, an internal corner trim, wrapping pieces or rounded-edge tiles. Everything is sold by the box.

It reads as a continuous twisted cord running along the wall, the pieces butting end to end so the twist carries on unbroken. On a green this strong the modelling is emphatic: the glaze runs thick in the twist and darkens there almost to a racing green, while the crowns of the cord stay bright and glossy, so the spiral reads sharply from right across a room. Of all the classical borders it is the one that most obviously rewards a saturated colour.