Edwardian Green Metro Bevelled Tile 75 x 75mm

Yes — and this is the colour that was made for it. Original Style developed Edwardian Green specifically for wet areas: showers, wet rooms, bathrooms and the wall behind a kitchen sink. It is made with a copper-free glaze recipe, which stands up to constant water better than the copper-based greens do. You still need a properly tanked substrate, a white flexible adhesive and a grout rated for wet areas, but the glaze itself is impervious and needs no sealing.

No — Artworks is a wall range only. The ceramic body is not rated for foot traffic and the gloss glaze would scratch and lose its shine quickly underfoot. For a floor to sit beneath an Edwardian Green wall, a Victorian-style geometric floor or an encaustic-effect tile is the historically correct partner, and our team can help you pair one.

The Artworks glazes are applied over a pressed ceramic body and slight variation from tile to tile is part of the character rather than a fault — it is what stops a large tiled wall looking printed. Variation between production batches can be a little greater, so order the whole of a room in one go where you can, and mix tiles from several boxes as you set out rather than working box by box.

Use a white flexible tile adhesive, which keeps the glaze reading true. For grout, aim for the middle: a mid to deep grey, or a soft green-grey close to the tile's own tone. Brilliant white draws a hard bright grid over a colour this saturated and fights it. Charcoal or black goes the other way and weighs the green down until it reads as a far darker colour than it is — precisely the effect Edwardian tiling was moving away from. A grey a shade or two darker than the wall you want lets the green stay green.

The range is usually held in stock and we can normally despatch within a few working days; mouldings and trims occasionally run on a longer lead time, so it is worth a call on 01344 620211 before you plan the fitting week. UK delivery is free on orders over £1,000, and we can hold a delivery back until your site is ready.

Edwardian Green is the wet-area sibling of Victorian Green. Original Style describe it as offering most of the grandeur of Victorian Green while using a copper-free glaze recipe, which makes it the more hardwearing of the two in a shower or wet room. The trade-off is slightly less of the depth and natural variation that copper-based glazes give, so it reads a shade more subdued and a little more even across a wall. The other three greens are different colours rather than different depths: Pavilion Green is a brighter, more saturated mid green, Palm Green leans warm and leafy, and Jade Breeze is the palest, with a cool blue-grey cast. Cut samples are the only reliable way to choose between them, and we are happy to send several.

Yes. Cut samples are free to collect from our Ascot showroom, or we can post one to you for the cost of postage. Seeing the glaze in your own light is the surest way to judge how it will sit against your paint, stone and metalwork.

As a guide, add around 10% to your measured area for cuts and breakages, and nearer 15% for a herringbone, diagonal or brick-bond layout. It is also worth keeping a few spare tiles from the same batch in case a repair is ever needed.

We stock seventeen: the 152mm field tile and its half tile, a 228 x 75mm large brick, bevelled metro tiles in 150 x 75mm and 75 x 75mm, a skirting tile, a plain cornice, and ten mouldings — Victoria, Egg & Dart, Dentil, Hogarth, Albert, Rope, Astragal, Scroll, Sigma and Omega. Original Style also make the Artworks external corner trim to order in Edwardian Green, so if a scheme needs a wrapped outside corner rather than a mitre, call us on 01344 620211 — made-to-order pieces can carry a minimum order quantity and a longer lead time. Tell us the room and we will work out what you need.

The chamfer around each face catches light along its top and casts a fine shadow beneath, so every tile is outlined before the grout goes in. On a colour as deep as Edwardian Green that outline reads as a bright line rather than a soft one, and a bevelled wall carries noticeably more movement across it than a flat-faced one. It is the difference between a wall you notice and a wall you look at.