Baroque Blue Field Tile 152x152mm

Yes. The glaze is impervious and unaffected by constant water, so these tiles are entirely at home in a shower enclosure, above a bath, behind a sink or across a wet-room wall. What matters is what sits behind and between them: a properly tanked substrate, a white flexible adhesive and a grout rated for wet areas. The tiles themselves never need sealing.

No — Artworks is a wall range only. The ceramic body is not rated for foot traffic and the gloss glaze would scratch and lose its shine quickly underfoot. If you want a floor to sit beneath a Baroque Blue wall, a geometric or encaustic-effect floor tile is the natural partner, and our team can help you pair one.

The Artworks glazes are applied over a pressed ceramic body, and slight variation from tile to tile is part of the character rather than a fault — it is what keeps a large tiled wall from looking printed. Baroque Blue shows this more than most, because the green cast in it shifts a little with the light. Order the whole of a room in one go where you can, and mix tiles from several boxes as you set out rather than working box by box.

Use a white flexible tile adhesive. For grout, the rule here follows from the colour: Baroque Blue is a warm blue, so choose a grout with warmth in it — a warm grey, a greige or a soft putty tone. Avoid a cool or blue-toned grey, which cancels the warmth and pulls the whole wall towards a colder, flatter blue than the tile actually is. Brilliant white is the other one to avoid: against a mid-toned glaze it draws a bright lattice across the wall and competes with the colour. Grout haze shows readily on a gloss glaze, so sponge each section as you go.

The range is usually held in stock and we can normally despatch within a few working days; mouldings and trims occasionally run on a longer lead time, so it is worth a call on 01344 620211 before you plan the fitting week. UK delivery is free on orders over £1,000, and we can hold a delivery back until your site is ready.

Baroque Blue is the one that leans green. Original Style describe it as a slightly greener blue with a warm luminosity that sets it apart from the other blues in the range — which is why it sits so comfortably with gold, brass and copper, where a colder blue would fight them. The others are genuinely different colours: one is a versatile mid-blue, one a deep indigo, and one a blue-grey that shifts with the light. If you are choosing between them, order a cut sample of each and look at them in the actual room — blues are the hardest family in the range to judge from a screen.

Yes. Cut samples are free to collect from our Ascot showroom, or we can post one to you for the cost of postage. Seeing the glaze in your own light is the surest way to judge how it will sit against your paint, stone and metalwork.

As a guide, add around 10% to your measured area for cuts and breakages, and nearer 15% for a herringbone, diagonal or brick-bond layout. It is also worth keeping a few spare tiles from the same batch in case a repair is ever needed.

Fifteen: the 152mm field tile and its half tile, a skirting tile, a plain cornice, an external corner trim, and ten mouldings — Victoria, Egg & Dart, Dentil, Hogarth, Albert, Rope, Astragal, Scroll, Sigma and Omega. Baroque Blue is not made as a large brick or as a bevelled metro tile, so if a scheme needs one of those formats it will have to come from a different colour. Original Style also make rectangles, round-edge tiles, internal corners and corner mouldings to order in this colour — those carry minimum quantities and longer lead times, so call us on 01344 620211 if you need one.

A 152 x 152mm tile covers 0.023m², so a square metre of wall takes about 43 of them. Boxes hold 22 and cover 0.511m² as supplied — just under two boxes to the square metre. Measure the tiled area, add around 10% for cuts, then round up to whole boxes, and order any half tiles, trims or mouldings at the same time so everything comes from one batch.

Gold, brass and copper above all — Original Style single those out, and the warmth in the glaze is why they work rather than clash. Beyond metals: oak and warm timbers, unlacquered fittings, a warm white or a soft stone paintwork above the tiling, and terracotta or a putty tone underfoot. It also takes white sanitaryware happily. What to be careful with is cold chrome against a cold grey — that combination fights the warmth that makes this blue what it is.

This is the blue most likely to. North light is cool and unforgiving, and it drains a cold blue until it reads grey and rather bleak. Baroque Blue has warmth and a green cast in it, which is exactly what survives that light — it holds its colour where a cleaner, colder blue gives up. It is worth seeing a sample on the actual wall at the time of day you use the room most, and worth keeping the grout warm rather than grey for the same reason.

It is a 152 x 30mm piece with a rounded, fully glazed face that wraps an outside corner, so instead of two cut tile edges meeting at an arris you get one continuous curve of glaze. That matters more than it sounds: a cut tile shows the pale unglazed body along the cut, and on a mid-toned blue that line is conspicuous. The trim also gives a softer edge to walk past and a much easier one to keep clean. Four to a box covering 0.6 linear metres. If your scheme has an outside corner — a chimney breast, a boxed pipe, a window reveal — this is the piece that finishes it properly.